创意声音设计教程 – PML Masterclass Creative Sound Design with the Moog Sub37

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在柏林的Melodic House艺术家Yannek Maunz的课程之后，您将在模拟和数字合成器上的合成中更加熟练，专业和创造性!在Sub37上演示，Yannek向您展示hack和技巧，以更快更好地实现蓬勃发展，动态和facet的声音，并以您自己的风格
关于本次大师班

Yannek Maunz是品牌的共同所有人(YION)，制作人，艺术家和PML导师相当长一段时间了。快速取得好结果是活跃在这么多领域的调。在本课中，他将向您展示他的补丁技术的深度，总是从init开始。他将谈论如何补丁低音线，琶音，序列，Riser和旋律线旋律技术和房子制作他的确切工作流程。

检查下面的课程完整列表的声音补丁覆盖。

不需要额外的软件来参加这个大师班。
课程亮点

创建高效的工作流程和对合成的深刻理解
超过20课和7小时的高质量合成
Sub37和减法合成的介绍和解释
如何将技术应用于其他合成人
与模拟合成器在Ableton工作

例子补丁

不同的低音提琴
琶音(勇敢与梦幻)
主奏音色(从来世到地下)
多重节奏的序列
噪音，扫射和立管

奖金

使用穆格Sub37在45分钟内从头开始建立轨道

“即使买了其他更贵的合成器，sub 37也是我的首选。我想强调的是，穆格对我来说甚至不再是一个合成器，而是一个想要演奏的完整乐器。

演奏合成器是课程的一个重要组成部分:创建淡出低音线的旋律，合并成铺底的噪音扫描，以及由不同穆格补丁组成的和弦层。使用Moog，它不仅仅是创建一个稳定的补丁。我想这就是模拟打败数字的原因。在真正的旋钮之间快速移动你的双手，没有任何映射限制。

我将在课程中给你一个适当的介绍Sub37。如果你已经知道减法合成，你可以直接跳到生产力宝石;)。”

好吧，穆格是一个减法合成的许多人在那里与减法合成的概念工作。本课程使用Moog作为媒介向您展示工作流程提升，修补技巧和技巧以及构图灵感。

当然，如果你有一个Sub37会更容易，但实际上任何具有类似功能的合成人都可以工作。但你几乎可以从课程中适应每一个概念，并将其用于u-he Diva。

最重要的是，这门课程想告诉你如何快速和容易地让你听起来像你自己(或其他人，如果你想;p)。

After this class with Berlin-based Melodic House Artist Yannek Maunz, you will be more proficient, professional and creative in your synthesis – on analog AND digital synths! Demonstrated on the Sub37, Yannek shows you hacks & tricks to achieve thriving, dynamic and facetted sounds faster & better and in your own style
About this Masterclass

Yannek Maunz is label co-owner (YION), producer, artist and PML tutor for quite some time now. Getting good results quickly is key to being active in so many fields. In this class he will show you his patching techniques in depth, always starting from init. He will talk about his exact workflow on how to patch Basslines, Arpeggios, Sequences, Riser and Melodic lines for Melodic Techno and House productions.

Check the curriculum below for the full list of sound patches covered.

No additional software required to take this masterclass.
Highlights of the class

Creating a efficient workflow and deep understanding of synthesis
Over 20 lessons and 7h of high quality synthesis
Intro & explanation of the Sub37 and subtractive synthesis
How to apply techniques to other synths
Working with analog Synths in Ableton

Example Patches

different basses
arpeggios (plucky & dreamy)
leads (from Afterlife to underground)
polyrhythmic sequences
noises, sweeps & risers

Bonus

Building a track from scratch in 45 minutes using the Moog Sub37

“The sub 37 is my go-to synth, even after buying other more expensive ones. I would like to stress that the Moog is not even a synth for me anymore but a full Instrument that wants to be played.

Playing the synth is one big part of the course: creating melodies that fade into bass lines, noise sweeps that merge into pads, and chord layers consisting of different Moog patches. With the Moog it is more than just creating one stable patch. I think this is why analog beats digital. Moving both your hands fast between real knobs without any mapping limitations.

I will give you a proper introduction to the Sub37 in the course. If you know subtractive synths already, you can simply skip to the productivity gems ;).”

Well, the Moog is ONE subtractive synth of many out there working with the concept of subtractive synthesis too. This course uses the Moog as a medium to show you workflow boosts, patching tips and tricks, and compositional inspiration.

Of course, it’s easier if you have a Sub37 but really any synth with similar capabilities will work out. But you can adapt almost every concept from the class and put to use with u-he Diva for example.

Up and foremost this course wants to show you how fast and easy you can sound like YOURSELF (or anyone else, if you want to ;p).

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