编曲啦网世界民族 2024-09-01

印度尼西亚的乐器合奏 – Soniccouture Balinese Gamelan II v2.1.0 KONTAKT

KONTAKT – 13,02 GB

权威系列
Soniccouture bali Gamelan II在作曲家中备受推崇。以两个完整的合奏为特色，它是迄今为止最真实和完整的甘美兰采样。

演奏单个乐器或整个合奏一次-完全控制佳美兰的专家和新手一样。

超过30种不同的乐器被深度录制，以捕捉佳美兰的生活，呼吸的声音和动态:
– Semaradana Gamelan Ensemble(伦敦爱乐乐团)
——Gamelan Batel Ramayana(多伦多)

电影的共振
巴厘佳美兰II的脉动，共鸣的音调可以带来不安的情绪到意想不到的地方。

我们最喜欢的一个例子是《绝命毒师》的S4 E3。作曲家戴夫·波特是我们乐器的长期使用者。

沃尔特·怀特(Walter White)沉思着他的秘密实验室，甘美兰锣和jegogs在背景中不祥地悸动。

佳美兰文化
佳美兰是一种源自印度尼西亚的乐器合奏。佳美兰的大部分乐器都是打击乐器，而且大部分是青铜乐器。它们包括不同大小和音高的类似木琴的金属乐器，调音的锣编钟，非常大的音调锣，以及各种各样的鼓和打击乐。佳美兰合奏有很多类型，但两种主要类型是爪哇和巴厘。巴厘佳美兰有一种独特的“闪闪发光”的声音，这是由于成对的乐器在演奏相同的音乐部分时失谐。

虽然佳美兰音乐已经存在了几个世纪(有证据表明在公元800年之前就存在乐器)，但它在印度尼西亚是一种非常活跃的音乐，并且在西方越来越受欢迎。风格不断发展，新的佳美兰音乐一直在创作。巴厘岛的“锣 Kebyar”是一种特别华丽的风格，在本世纪的大部分时间里占据主导地位，可能是巴厘岛最著名的出口产品。

佳美兰音乐非常注重集体——它被描述为“音乐家之间的谈判”。许多音乐家演奏联锁部分，其中交替的音符在两个乐器之间共享。这种技巧使合奏团能够演奏出令人难以置信的快速段落。

巴厘岛佳美兰II
-所有采样在24位96khz立体声
-可调的键关水平+多个关节
-静音+环样品(键切换)为所有音调的乐器
– 3至20轮循层和多达15速度层取决于乐器
-总音色库大小为35GB (NCW压缩时为14GB)
-约8000个样品
-完全控制调音:气质和微调相等
– 102快照预设快速选择乐器和声音设计预设

需要免费的NI Kontakt Player或NI Kontakt FULL v7.9或更高版本!

THE DEFINITIVE COLLECTION
Soniccouture Balinese Gamelan II is revered among composers. Featuring two full ensembles, it is by far the most authentic and complete sampling of gamelan available.

Play individual instruments or the whole ensemble at once – complete control over the gamelan for experts & newcomers alike.

Over 30 different instruments were recorded in great depth to capture the living, breathing sound & dynamics of gamelan:
– Semaradana Gamelan Ensemble (LSO, London)
– Gamelan Batel Ramayana (Toronto)

CINEMATIC RESONANCE
The pulsing, resonant tones of Balinese Gamelan II can bring unsettling moods to unexpected places.

One of our favourite examples of this is in S4 E3 of Breaking Bad. Composer Dave Porter is a long time user of our instrument.

Walter White contemplates his secret lab as the gamelan gongs and jegogs throb forbodingly in the background.

GAMELAN CULTURE
Gamelan is an ensemble of instruments originating from Indonesia. The majority of Gamelan instruments are percussive, and most of these are bronze. They include xylophone-like metallophones of different sizes and pitch, tuned gong chimes, very large pitched gongs, and an assortment of drums and percussion. There are many types of Gamelan ensembles, but the two dominant types are Javanese and Balinese. Balinese Gamelan has a characteristic ‘shimmering’ sound which is due to the detuning of paired instruments playing the same musical part.

Although Gamelan music has been around for centuries (there is evidence of instruments existing before 800 AD), it is very much a living music in Indonesia, and is growing in popularity in the west. Styles keep evolving and new Gamelan music is being written all the time. Balinese “Gong Kebyar”, a particularly flamboyant style, has dominated much of the century and is probably Bali’s most famous export.

Gamelan music is very much about the collective – it has been described as ‘a negotiation between musicians’. Many of the musicians play interlocking parts, in which alternate notes are shared between two instruments. This technique enables the ensemble to play incredibly fast passages.

Balinese Gamelan II In Detail:
– All sampling in 24bit 96khz stereo
– Adjustable key-off level + multiple articulations
– MUTE + RING samples (key-switched) for all pitched instruments
– 3 to 20 round robin layers and up to 15 velocity layers depending on instrument
– Total library size 35GB (14GB with NCW compression)
– Approx. 8000 samples
– Full control over tuning: equal temperament and microtuning
– 102 snapshot presets for quick selection of instruments and sound design presets