独奏弦乐+合成器 – Fracture Sounds Trails v1.0.1 KONTAKT

KONTAKT – 11,32 GB

小径
进入小提琴家和作曲家亚历山大·帕森斯的世界，与他的收集唤起音景和弦乐织体。这个独特的表演集合还包括一个令人难以置信的罕见的福克纳杜尔西科德桌面钢琴和一个新设计的颗粒合成引擎。

关于音色库
Fracture Sounds团队与作曲家Alexander Parsons合作，设计了一套工具和声音，将他的纹理方法封装到作曲中。作为一个训练有素的小提琴家在电子音乐的背景下，这个集合独奏弦乐，合成器，和独特的表演显示了亚历山大的调色板和口味的全谱。

这个音色库中的独奏弦乐专注于可以组合以创造张力和运动的长和短织体。铰接扩展了全新的颗粒引擎，创造了巨大的可能性阵列，模糊了声学和电子性能之间的界限。与禅宗:冥想，这个音色库也包含层混合，但这一次，团队在断裂的声音和亚历山大·帕森斯组装了28个合成器的声音，然后可以在成千上万的组合与使用额外的效果相结合。

Trails旨在以最小的努力实现最大的声音探索，因此您可以专注于编写具有鼓舞人心的声音集的音乐。

独奏弦乐织体
这个音色库的主要元素是由亚历山大·帕森斯和他经常的合作者和朋友乔·泽特林录制的独奏小提琴和大提琴织体。Alexander最喜欢和最常用的八个发音在伦敦的干燥工作室空间中被捕获，我们为Dan Keen的Petrichor音色库使用了同样的空间。

干燥的空间可以在乐器预设中使用更多的效果，并作为我们全新颗粒引擎的一部分，将声音转化为具有无限可能性的迷人织体。回归是我们在半球环境和电影吉他中发现的低保真和延迟效果，当与混响和16个独特的大气层相结合时，可以将原始声学录音改变为起伏织体的戏剧性下腹部-亚历山大称之为痕迹。

我们的新颗粒引擎
我们新设计的颗粒引擎已经从断裂声音团队中提取了知识和经验，亚历山大的方法是在他的模块化钻机上使用颗粒效果，以扩大他的声音调色板并创造真正独特的成分。引擎是整个音色库中发现的策划声音的高潮，并提供了许多控制选项，以及简单地能够洗牌所有参数，让乐器决定你的声音方向。

原始的声音可以被逆转、变异和调整，使用界面上可用的控制，使原始的来源无法识别，并产生亚历山大在他的写作工具中渴望的随机性和灵感水平。

团队在断裂声音和亚历山大·帕森斯策划了57预设作为起点，为那些谁是新的颗粒合成。对于那些需要更高CPU效率的人来说，这些预设也可以在轻量级文件夹中以基本形式找到。

多年来，亚历山大收集了一系列他最喜欢的模拟合成器和模块化效果单元，并提供了个人收集的样本，这些样本的灵感来自于他多年来在乐谱上使用的样本，并结合了在Press Play制作的录音。

为了实现最大的可玩性，我们已经将合成样本放入Zen: Meditations引入的Layer blend引擎中，使多达三个合成样本可以使用mod wheel进行混合和控制。在这个音色库中有28种独特的合成器声音，提供546种可能的混合选项，然后可以通过ADSR包络，过滤器和界面上发现的其他效果进一步扩展。

福克纳DULCICHORD
亚历山大武器库中的一个调工具是福克纳Dulcichord，这是一架小型单弦台式钢琴，音色细腻迷人。以及效果包括独奏弦乐织体，杜尔希古钢琴有一个破碎的调音功能，可以改变原来的清理样本变成一个更古老的声音。那些熟悉我们钢琴的人会知道我们的颜色和音色转移控制，可以将乐器的音调转移到更暗或更亮的空间，我们还包括一个扩展范围开关，以增加乐器的范围超出其自然限制。

调音台
每次表演都是用一组近距离和室内麦克风捕捉到的，并结合在一个单一的、广播就绪的调音台中。原始的调音台可以与断裂声音团队和亚历山大·帕森斯创造的三层大气相结合。

特性
– 16弦乐发音和织体
– 28合成录音和表演
-非常罕见的dulcchord桌面钢琴
– 57颗粒预设
-发音切换

TRAILS
Enter the world of violinist and composer Alexander Parsons, with his collection of evocative soundscapes and string textures. This collection of unique performances also includes an incredibly rare Faulkner Dulcichord table-top piano and a newly designed Granular Synthesis engine.

ABOUT THE LIBRARY
The Fracture Sounds team has collaborated with composer Alexander Parsons to devise a set of tools and sounds that encapsulate his textural approach to composition. As a trained violinist with a background in Electronic Music, this collection of solo strings, synths, and unique performances shows the full spectrum of Alexander’s palette and tastes.

The solo strings in this library focus on long and short textures that can be combined to create tension and movement. The articulations are expanded with the brand-new Granular Engine, creating a huge array of possibilities and blurring the lines between acoustic and electronic performance. As with Zen: Meditations, this library also contains Layer Blends but this time, the team at Fracture Sounds and Alexander Parsons have assembled 28 synth sounds that can then be combined in thousands of combinations with the use of additional effects.

Trails is built to enable maximum sonic exploration with minimal effort, so you can focus on writing music with an inspiring set of sounds.

SOLO STRING TEXTURES
The main element of this library is the solo violin and cello textures recorded by Alexander Parsons and his frequent collaborator and friend, Joe Zeitlin. Eight of Alexander’s favourite and most frequently used articulations have been captured in the same dry studio space in London that we used for Dan Keen’s Petrichor library.

The dry space enables the use of more effects within the instrument presets and as part of our brand-new granular engine, transforming the sounds into mesmerising textures with limitless possibilities. Returning is our Lo-Fi and Delay effects found in Hemisphere Ambient & Cinematic Guitars, which, when combined with the Reverb and 16 unique Atmosphere Layers, can alter the original acoustic recordings into a dramatic underbelly of undulating textures- what Alexander refers to as Trails.

OUR NEW GRANULAR ENGINE
Our newly designed Granular engine has distilled both the knowledge and experience from the Fracture Sounds team with Alexander’s methodology of working with Granular effects on his modular rig to expand his sound palette and create truly unique compositions. The engine is a culmination of curated sounds found throughout the library and offers many control options as well as simply being able to shuffle all of the parameters and let the instrument decide the direction of the sound for you.

The original sounds can be reversed, mutated, and tweaked using the controls available on the interface, making the original source unrecognisable, and generating a level of randomness and inspiration that Alexander craves in his writing tools.

The team at Fracture Sounds and Alexander Parsons have curated 57 presets as starting points for those who are new to Granular Synthesis. These presets are also found in a basic form in the Lightweight folder for those who need greater CPU efficiency.

Over the years Alexander has collected an array of his favourite analogue synthesisers and modular effects units and has provided a personal collection of samples inspired by those that he has used on scores over the years, combined with recordings made at Press Play.

To enable maximum playability, we have placed the synth samples into the Layer Blends engine that was introduced with Zen: Meditations, enabling up to three synth samples to be blended and controlled using the mod wheel. There are 28 unique synth sounds found in this library with 28, providing 546 possible blending options, which can then be extended further with the ADSR envelope, filters, and other effects found on the interface.

FAULKNER DULCICHORD
A key tool in Alexander’s arsenal is the Faulkner Dulcichord, a small single-stringed tabletop piano that has a delicate and enchanting tone. As well as the effects included with the solo string textures, Dulcichord has a Broken Tuning function that can alter the original cleaned-up samples into a more antique sound. Those who are familiar with our pianos will be aware of our Colour and Timbre Shift controls that can shift the tone of the instrument into a darker or brighter space, and we have also included an extended range switch to increase the range of the instrument beyond its natural limitations.

MIX
Each performance was captured with an array of close and room microphones and combined in a single, broadcast-ready mix. The raw mix can then be combined with up to three Atmosphere Layers created by the Fracture Sounds team and Alexander Parsons.

FEATURES
– 16 String Articulations and Textures
– 28 Synth recordings and performances
– Incredibly rare Dulcichord tabletop piano
– 57 Granular Presets
– Articulation switching and individual articulation settings
– Layer blends engine
– Granular synth engine
– Recorded in a dry space
– Full NKS support – works with Komplete Kontrol hardware.
– 12GB download size (NCW compressed from a 15GB sample pool)

Requires Native Instruments Kontakt Player or Kontakt FULL v6.7 and higher!