增益 – W.A. Production Outlaw v2.3.0 MacOS

MORiA | AU | VST | VST3 | 17.8 MB

所有的增益。没有痛苦。无论您是混合现场声音，平滑人声或平衡独奏乐器，Outlaw都是您一直在寻找的增益插件。不法收听传入的音频和补偿音量变化，模仿一个现实生活中的音频工程师的混音台推杆运动。忘记绘制复杂的体积自动化，让Outlaw为您做艰苦的工作，具有平滑的增益水平和丰富的功能。调音台，目标，门和增益

这4个主要的刻度盘让你可以灵活地控制Outlaw的基本参数，这意味着很容易对插件的性能进行广泛的调整。使用调音台刻度盘调整效果的强度，并使用target刻度盘设置RMS目标电平。使用GATE控制来设置一个相对级别，这样增益增益器就会忽略更柔和的声音。主输出由增益刻度盘控制，对于精确的A/B信号比较设置精确的电平非常有用。

高级设置
微调增益算法与先进的设置，可从二级面板访问。Outlaw可以在带通模式下使用高通和低通滤波器以及4种不同的坡度设置。例如，这意味着您可以在具有低隆隆声，高帽出血或其他有问题的频率信息的音频上执行有效的增益。

-攻击和释放选项可以让你塑造瞬态和持续的处理音频，以创建一个更平滑的信号。Direction参数可以设置为控制攻击和释放方向，可以向上、向下或两个方向操作。

—可以设置最大值来调整增益的强度。各种RMS选项决定了Outlaw对输入信号的反应速度，这是另一种帮助平滑或锐化响应的方法。

视觉反馈
通过大型视觉反馈显示器，您可以一目了然地看到不法分子对信号所做的事情。这显示峰值和RMS音量为左和右通道，以及增益骑在中心的量。

人人皆宜
在JUCE框架中开发，这是我们迄今为止最稳定的插件，可以在Mac和PC的所有插件格式下运行，支持retina和高清屏幕。第一次，AAX / ProTools格式被包括在内，所以所有生产者使用任何系统都可以享受这个多功能插件。

Outlaw是一种工具箱插件，每当你需要用“人情味”创建平衡的动态时，你都会用到它。让它成为你的现场吉他，人声，贝斯和鼓的频道上的第一个插件，或者任何需要一个富有同情心的虚拟工程师的平滑触摸。

W. A. Production是现实生活中的制作人制作创意插件，以帮助您快速轻松地实现工作室质量处理。享受吧!

特性
-调音台:混合是增益骑。
—目标:设置增益骑者的均方根目标。
– GATE:允许用户设置相对于目标电平的门电平，以使增益骑者忽略较软的声音。
HPF/LPF/SLOPE:让您过滤掉具有可变斜率的检测信号中的高点和低点，因此您可以例如忽略语音或录音中的低隆隆声，或忽略低音记录的高攻击和手指噪声。
-攻击/释放/方向:让你对收益施加额外的攻击和释放，这样你就可以通过信号峰值或平滑信号尾部。使用方向控制，您可以设置攻击和释放的方向，这是有帮助的，取决于是否产生的一般增益是向上，向下或在两个方向上。
– MAX UP/MAX DOWN/INSTANT/ZERO/RMS: MAX UP和MAX DOWN可以让你设置向上和向下应用的最大增益，这让你更好地控制增益的极端程度。低数值听起来很微妙。高值听起来不稳定。RMS控制可以让你选择慢速，中等或快速的RMS检测，这决定了插件对输入信号的反应速度。INSTANT选项非常快，ZERO有0毫秒的RMS时间。

这个版本有什么新东西
2.3.0版的新功能
-增加了对苹果芯片的支持
——Resizability
-更新预设管理器
-更新license管理
Bug修复

系统需求
macOS 10.13或更高版本

Outlaw All gain. No pain. Whether you’re mixing live sound, smoothing vocals or balancing solo instruments, Outlaw is the gain-riding plugin you’ve been looking for. Outlaw listens to the incoming audio and compensates for volume changes, mimicking the mixing desk fader movement of a real-life audio engineer. Forget about drawing complex volume automation and let Outlaw do the hard work for you, with smooth gain levelling and a wealth of features.MIX, TARGET, GATE & GAIN

These 4 main dials give you flexible control over the fundamental parameters of Outlaw, meaning that it’s easy to make broad-strokes adjustments to the performance of the plugin. Adjust the intensity of the effect with the MIX dial and set the RMS target level with the TARGET dial. Use the GATE control to set a relative level so that the gain-rider ignores softer sounds. The master output is controlled by the GAIN dial, very useful for setting accurate levels for precise A/B signal comparison.

ADVANCED SETTINGS
Fine tune the gain algorithm with advanced settings, accessible from a secondary panel. Outlaw can perform in band-pass mode with high-pass and low-pass filters and 4 different slope settings. For example, this means you can perform effective gain-riding on audio with low rumble, high-hat bleed or other problematic frequency information.

– The Attack and Release options let you mould the transients and sustains of the processed audio to create a smoother signal. The Direction parameter can be set to control the attack and release direction, operating upwards, downwards or in both directions.

– Maximum values can be set to adjust the intensity of the gain-riding. A variety of RMS options determine how quickly Outlaw reacts to the incoming signal – another way to help smooth or sharpen the response.

VISUAL FEEDBACK
See exactly what Outlaw is doing to the signal at a glance, with the large visual feedback display. This displays Peak and RMS volume for both left and right channel, and the amount of gain-riding in the centre.

MADE FOR EVERYONE
Developed in the JUCE framework, this is our most stable plugin to date running happily in all plugin formats for Mac and PC with support for retina and high definition screens. For the first time, AAX / ProTools format is included so all producers using any system can enjoy this versatile plugin.

Outlaw is the kind of toolbox plugin that you’ll reach for every time you need to create balanced dynamics with a “human touch”. Make it the first plugin on your channel for live guitars, vocals, bass and drums, or anything that needs the smooth touch of a sympathetic virtual engineer.

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!

FEATURES
– MIX: mixes is the gain riding.
– TARGET: sets the rms target of the gain-rider.
– GATE: allows user to set a gate level that is relative to the TARGET level, to have the gain-rider ignore softer sounds.
HPF/LPF/SLOPE: Let you filter away the highs and lows in the detection signal with variable slopes so you can for example ignore the low rumble in a speech or vocal recording, or ignore the high attack and finger noises of a bass recording.
– ATTACK/RELEASE/DIRECTION: Let you apply additional attack and release to the gain-riding so you can let through the signals peaks or smooth out the signals tails. With the DIRECTION control you can set the direction of the ATTACK and RELEASE which is helpful depending on if the general gain produced is upwards, downwards or goes in two directions.
– MAX UP/MAX DOWN/INSTANT/ZERO/RMS: The MAX UP and MAX DOWN let you set the maximum gain that is applied up and down, which gives you more control over how extreme the gain-riding is allowed to be. Low values sound subtile. High values sound erratic. The RMS control lets you pick between slow, medium or fast rms-detection, which determines how quickly the plugin reacts to the incoming signal. INSTANT option is very fast and ZERO has 0ms RMS time.

Whats new in this version
New Features in version 2.3.0
– Added Apple Silicon support
– Resizability
– Updated presets manager
– Updated license management
– Bug fixes

System Requirements
macOS 10.13 or higher