Montage by Splice Hyperlight Echoes: Sci-Fi Minimalist WAV-FANTASTiC
FANTASTiC | 09 July 2024 | 908.99 MB
“宣称地球一定是宇宙中唯一有生命的星球,这是我们不可原谅的傲慢。”——尼尔·德格拉斯·泰森。
最近合法的不明飞行物和不明原因的目击事件重新激起了一个古老的争论——“我们在这个宇宙中是孤独的吗?”这个问题迫使我们思考,在这个漂浮在太空中的旋转的小岩石上,作为人类意味着什么。这个样本包的灵感来自于这个概念,即唤起声音设计从人类或自然来源开始。制作人Charles Van Kirk和作曲家/声乐家Emily Greene提出了这样一个问题:如果我们受雇为《降临》或《沙丘》等艺术科幻电影配乐,我们可以从人声开始创造出什么样的电影音乐和声音设计调色板?
二人组从在奇怪的空间录制他们的声音开始:通过迪吉里杜管、风扇、奇怪的混响房间和其他发现的物体唱歌。他们将这些声音与从夏威夷大岛上采样的炉子、马达和鸟叫声的音调噪音结合起来。
每个声音都经过采样,拉伸,重新放大,执行和重新采样,通常通过感官打击和不同的合成器多次,然后产生电影样本的冷,不祥,怪异和真正迷人的音景。
延伸了熟悉的界限,这些声音来源的样本保留了不可否认的“人性”,同时成为科幻电影配乐的理想灵感。使用这些长音和和弦作为令人不安的床黑暗电子音乐或样本感官打击在你的下一个轨道,需要一点外星的神秘。从你头顶上不祥的飞船发出的冷光中屈服,让你自己被带到彼岸。
174个样本
“To declare that Earth must be the only planet with life in the universe would be inexcusably bigheaded of us” – Neil deGrass Tyson.
The recent phenomenon of legitimate UFO’s and unexplained arial sightings has reinvigorated the age old debate – “Are we alone in this universe”? This question forces us to think about what it means to be human on this small spinning rock floating through space. This sample pack is inspired by this concept that evocative sound design starts with a human or natural source. Producer Charles Van Kirk and composer/vocalist Emily Greene created this pack by asking the question: if we were hired to score an artful science fiction film such as Arrival or Dune, what sort of cinematic music and sound design palette could we create by starting with only the human voice?
The duo started by recording their voices in weird spaces: singing through didgeridoos, fans, in strange reverberating rooms, and through other found objects. They combined these sounds with tonal noises from furnaces, motors, and bird sounds sampled on the big island of Hawaii.
Each sound has been sampled, stretched, re-amped, performed and re-sampled again, often many times over through Sensory Percussion and different synths before yielding a cold, ominous, eerie, and truly captivating soundscape of cinematic samples.
Stretching the bounds of the familiar, these vocal sourced samples retain a undeniable “humanness” while being the ideal inspiration for a sci-fi film score. Use these drones and chords as unsettling beds for dark electronic music or sample the sensory percussion in your next track that needs a bit of extraterrestrial mystery. Give into the cold light from the ominous craft havering above you and let yourself be taken into the beyond.
174 Samples