1890年的施坦威B钢琴 Versilian Studios Joachim’s Piano KONTAKT

KONTAKT – 16,67 GB

创建与媒体作曲家和编曲约阿希姆霍斯利，约阿希姆的钢琴是一个独一无二的采样他可爱地恢复1890年的施坦威B包括自然钢琴，准备，打击乐和效果。

超过35个小时的录音室时间用于录制“Via Havana”和Joachim的一系列YouTube视频中使用的钢琴，空间和麦克风设置。专注于节奏可玩性，乐器是彩色采样多达4轮罗宾斯。在所有补丁上都记录了完全维持踏板和非踏板样品。

一架历史悠久的钢琴
采样的仪器是85键施坦威B型，建立在1890年代和最近(漂亮)恢复。复古的音调和响应性完美地匹配约阿希姆的表演风格，但它已经被采样这样一种方式，让它适合从现场爵士乐到媒体组成的众多用途。

全套准备工作
作为一名演奏者，除了钢琴本身的自然声音外，Joachim还对钢琴进行了一系列精心控制的准备，以产生独特的音色。钢琴本身也经常被用作打击乐器，用各种各样的木槌、刷子甚至手来演奏。从哲学上讲，他的目标是仅用钢琴本身就能重现整个乐队的声音，从低音到康加舞。

35小时的工作室时间
采样是在Joachim自己的工作室完成的，使用相同的麦克风，仪器，设置，和他的视频中显示的信号链。一对传奇的Microtech Gefell CMV 563配有著名的M7胶囊，提供了钢琴的主体，而远处的一对麦克风则提供了在需要时增加声音的空间。超过35个小时的录音时间进入捕捉钢琴如此复杂的细节!

有节奏的细节
该仪器的整个范围是采样与多达四个圆形知更鸟和多达五个动态层跨越多个不同的关节色度。这提供了一个非常有节奏的令人满意的乐器演奏，特别是在快速的段落。此外，整个仪器允许使用sus踏板与真正的sus踏板样本。

约阿希姆还包括各种奖金fx声音和全套使用钢琴和各种木槌/打击器创建的打击声音。

准备好舞台或工作室
听爵士钢琴家Caili O ‘Doherty在音乐会现场演奏Joachim的钢琴，运行一个简单的笔记本电脑设置。MIDI的表现被现场捕获，以允许在与声学元素混合后，这是一个毫不费力的过程与M7胶囊装备CMV 563的经典声音。

与典型的舞台钢琴内置的声音相比，18 GB的彩色采样钢琴与真正的踏板声音和4个圆形知更鸟提供了一个更现实，自然的声音。键盘手寻求更独特的声音可以探索阵列的准备和打击效果，甚至探索不同的调音系统。

需要完整版本的NI Kontakt v5.8.1或更高!

Created with media composer and arranger Joachim Horsley, Joachim’s Piano is a one-of-a-kind sampling of his lovingly-restored 1890’s Steinway B including the natural piano, preparations, percussion, and effects.

Over 35 hours of studio time went into recording the exact piano, space, and mic setups used in “Via Havana” and Joachim’s series of YouTube videos. A focus on rhythmic playability, the instrument is chromatically sampled with up to 4 Round Robins. Both full sustain pedal and non-pedaled samples were recorded on all patches.

An Historic Piano
The instrument sampled was an 85-key Steinway Model B, build in the 1890’s and recently (beautifully) restored. The vintage tone and responsiveness perfectly match Joachim’s style of performance, yet it has been sampled in such a way to allow it to fit numerous uses from live jazz to media composition.

An Ensemble of Preparations
As a performer, in addition to the natural sounds of the piano itself, Joachim uses an array of careful, controlled preparations of the piano in order to generate unique timbres. The piano itself also is frequently used as a percussion instrument, played with a wide range of mallets, brushes, and even hands. Philosophically, his goal is to recreate the sound of an entire band, from upright bass to conga, using only the piano itself.

35 Hours of Studio Time
Sampling was done in Joachim’s own studio, using the same exact mics, instrument, setup, and signal chain shown in his videos. A pair of legendary Microtech Gefell CMV 563’s with famed M7 capsules provides the main body of the piano, while a far pair of mics provides room to add to the sound when desired. Over 35 hours of recording time went into capturing the piano in such intricate detail!

Rhythmic Detail
The entire range of the instrument was sampled chromatically with up to four round robins and at up to five dynamic layers across a number of different articulations. This provides a very rhythmically satisfying instrument to play, especially in fast passages. Additionally, the entire instrument allows for sus pedal usage with real sus pedal samples.

Joachim also included various bonus fx sounds and a full set of percussive sounds created using the piano and various mallets/beaters.

Ready for Stage or Studio
Hear jazz pianist Caili O’Doherty play Joachim’s Piano live in concert, run off a simple laptop setup. The MIDI performance was captured live to allow mixing in post with acoustic elements, which is an effortless process with the classic sound of the M7 capsule-equipped CMV 563.

Compared to the sounds built into typical stage pianos, the 18 GB chromatically sampled piano with true pedal sounds and 4 round robins provides a more realistic, natural sound. Keyboardists seeking more unique sounds can explore the array of preparations and percussive effects and even explore different tuning systems.

Requires the FULL version of NI Kontakt v5.8.1 or higher!