Native Instruments Straylight v1.5.1 KONTAKT-FANTASTiC

FANTASTiC | 03 February 2024 | 2.37 GB

基于粒度的声音设计
实时制作独特的电影音景、过渡和环境音。 STRAYLIGHT 专为声音设计师以及电影、电视和游戏作曲家而打造，非常适合从后世界末日科幻小说到坚韧惊悚片等各种内容。 它将专门的颗粒和样本播放模块与精心捕捉的声源、效果和强大的基于性能的 X-Y 调制矩阵相结合，从而实现鼓舞人心的动态性能和声音设计，直接呈现在画面上。

声源
STRAYLIGHT 提供屏幕就绪的电影声源，无需额外处理 – 让您即使在时间紧张的情况下也能专注于创造力。 我们花了很多时间测试音源和演奏技巧，为颗粒引擎寻找最好、最有趣的声音——例如橡胶球在玻璃上摩擦的声音。 结果是为颗粒和样本模块提供了 360 多个独特的匹配声源，以及 300 多个预设。

颗粒引擎
STRAYLIGHT 拥有定制的颗粒引擎，可将源音频放入强大且专业但易于使用的界面中。 利用丰富的、有机的音色，可以挑战时间和音调，但仍然保留源声音的原始特征（弦乐、玻璃、石头、薄膜，甚至您自己的样本等等），并且声音随着时间的推移而演变（上升和过渡可以 自动适应项目节奏）。

微小的声音可以在大小和范围上被大大放大，而不会牺牲它们的音质或特性。 然后，颗粒引擎与示例模块中的一层配对，提供相同级别的编辑和调制。

执行实时调制
STRAYLIGHT 的调制和效果部分确保快速、富有创意的工作流程。 精确的 X-Y 控制可实现富有表现力的直接图像性能以及对强度和时间的详细控制。 应用和调制多达 14 种不同的效果 – 来自九个不同的类别：滤波器、动态、EQ、门控、驱动器、调制、延迟、实用程序和混响，以及 MOD PACK 中著名的合唱、镶边和移相器效果。 STRAYLIGHT 甚至包括专门捕获的混响脉冲响应，选择以补充其音频内容和颗粒引擎。

由弗兰克·埃尔廷和保罗·哈斯林格共同创作
STRAYLIGHT 是与 Frank Elting 和 Themost Human Colors（一家精品乐器和声音设计机构）合作打造的。 该乐器也是与作曲家 Paul Haslinger（《黑夜传说》、《少数派报告》、《行尸之惧》、《彩虹六号：围攻》）协商开发的。

音景、音调、过渡
•独特的电影颗粒音色
•定制调制，精确控制强度和时间
•拖放您自己的样本以获得一种独特的声音

GRANULAR-BASED SOUND DESIGN
Craft unique cinematic soundscapes, transitions, and ambient tones in real-time. Built for sound designers and film, TV, and game composers, STRAYLIGHT is ideal for everything from post-apocalyptic sci-fi to gritty thrillers. It combines specialized grain and sample playback modules with carefully captured sound sources, effects, and a powerful performance-based X-Y modulation matrix, allowing inspirational dynamic performance and sound design, direct to picture.

SOUND SOURCES
STRAYLIGHT delivers screen-ready cinematic sound sources without the need for additional processing – letting you concentrate on creativity, even when time is tight. We spent a lot of time testing sources and playing techniques, looking for the best and most interesting sounds for the granular engine – such as rubbing a rubber ball on glass. The result is over 360 unique matched sound sources for the granular and sample modules, with over 300 presets.

THE GRANULAR ENGINE
STRAYLIGHT has a bespoke granular engine that places the source audio into a powerful and specialized – yet easy-to-use – interface. Harness lush, organic timbres that can defy time and pitch, yet still retain the pristine character of the source sounds (strings, glass, stone, membranes, even your own samples, and more), and sonically evolve over time (risers and transitions can adapt automatically to project tempo).

Small sounds can be vastly magnified in size and scope without sacrificing their sound quality or character. The granular engine is then paired with a layer from the sample module, offering the same level of editing and modulation.

PERFORM REAL-TIME MODULATION
STRAYLIGHT’s modulation and effects sections ensure a fast, creative workflow. The precise X-Y control enables expressive direct-to-picture performance and detailed control over intensity and timing. Apply and modulate up to 14 different effects – taken from nine different categories: Filters, dynamics, EQs, gaters, drivers, modulation, delays, utilities, and reverbs, as well as the renowned chorus, flanger, and phaser effects from MOD PACK. STRAYLIGHT even includes specially captured reverb impulse responses, selected to complement its audio content and granular engine.

CREATED WITH FRANK ELTING AND PAUL HASLINGER
STRAYLIGHT was built in collaboration with Frank Elting and The most human colors, a boutique instrument and sound design agency. The instrument was also developed in consultation with composer Paul Haslinger (Underworld, Minority Report, Fear The Walking Dead, Rainbow Six: Siege).

SOUNDSCAPES, TONES, TRANSITIONS
•Unique cinematic granular timbres
•Tailored modulation with precise control of intensity and timing
•Drag and drop your own samples for one of a kind sounds