史诗管弦乐 – Spitfire Audio eDNA Earth v2.0b121 KONTAKT

KONTAKT – 25,02 GB

由管弦乐队组成的合成器
eDNA Earth 是合成管弦乐声音的史诗般的集合，它是使用我们大量的有机管弦乐录音创建的，经过 Spitfire 屡获殊荣的作曲家、工程师和开发团队的操纵、扭曲和重新编程，使其面目全非。 凭借数千种声音和预设，我们采用了整个管弦乐调色板，并将其转变为另一个宇宙。

eDNA Earth 是一本包含独特、实验性电子样本的强大百科全书，在创建时考虑了电影、电视和游戏音乐，为下一代媒体作曲家提供了无尽的灵感，同时也吸引了想要添加尖端技术的舞蹈和流行音乐制作人。 ，电影电子纹理到他们的音乐。 借助 eDNA 全新的易于使用、超可控的 GUI，新声音实验的未知领域就在您的掌握之中。

电影合成声音的百科全书
eDNA Earth 是 1900 多种基本乐器的集合，由 Spitfire 团队在六个月的时间内整合成 1000 多个自定义预设。 eDNA 引擎采用有吸引力、直观的 GUI，专为各种类型和电影设置而设计，让您能够创建和扩展自己的电影宇宙。 按声音类型进行选择——Atmos、Drones 和 Scapes、Keys、Bass、Drums 和 Percussion、FX、Leads、Pad 和 Strings、Sequences 和 Plucks 或 Synthetic Orchestra——然后演奏、演奏、演奏。 这里的内容是如此之深，如果您要播放每个声音 30 秒，那么您将需要 15 个小时来听每个乐器和音色。

有机源材料取自我们最著名的图书馆，包括 Albion One 和 Spitfire Symphony Orchestra，并在世界上最好的录音室（包括 Air、Lyndhurst Hall）录制。 这些纹理很容易与原声录音和现场管弦乐队分层和混合，让您实现电子和原声声音的史诗般的、毁灭性的融合，并为您的作品添加实验维度。 从坚韧的都市戏剧、科幻小说、史诗动作和游戏音乐，到当代 EDM 和舞蹈，大量的声音和预设使其用途极其广泛，使您能够创造出完全独特的音景。 对于那些刚接触合成器编程的人来说，我们有超过 1000 多个开箱即用的预设，对于那些喜欢花几个小时调整声音的人来说，您可以修改、影响和创建自己的预设。 这与现在或昨天的音乐无关——这是一个全新的音景，为你的作品增添了额外的维度——从郁郁葱葱、广阔空灵的背景到刺耳的、反乌托邦的、无调性的音效。 如果您正在寻找超越管弦乐领域的永恒电影质感，那么这些大量的超可控声音将在未来许多年里满足您对超凡脱俗的渴望。

历史
我们花了过去十年的时间建立了最好的弦乐、铜管乐器、木管乐器和打击乐器库。 但在这段时间里，我们也一直怀有更深的野心。 作为屡获殊荣的作曲家，Spitfire Audio 创始人 Paul Thomson 和 Christian Henson 在为画面创作音乐时，一直在努力将合成声音与管弦乐、有机乐器混合在一起。 在研究 Spitfire 广受欢迎的 Albion 系列中的 Stephenson 系列时，他们发现，如果声音从有机源中扭曲，即使扭曲的声音不再类似于其原始源材料，他们也会更有效地使用有机材料。 继 Albion 系列取得成功之后，Spitfire 开始创造这个新的声音世界。

由于 Spitfire 的许多人都来自 90 年代第一波舞曲音乐和实验电影创作，因此我们渴望将管弦乐样本录音打乱，并将其变成新的东西。 多年来，我们在秘密硬盘上保存了其中最好的一组抛光钻石，随时可以进行操纵和倾斜，以创造出终极的电子原材料。

自《喷火战斗机》问世以来，我们一直在尝试管弦乐变形。 我们着手寻找最稀有的模拟舷外设备、合成器、滤波器、门和动词，并委托并创建了一组定制的数字信号路径。 多年来，我们定期将秘密硬盘从柜子中取出，拉出声音并通过这些多级信号路径馈送它们。 我们经常让它们炖一整夜，创造出最美妙的黑暗、听起来错误的合成声音。 在扭曲阶段，我们创建了超过 1 TB 的数据。 然后，我们的团队开始选择和打磨最好的声音，以创建一系列多采样声音集——这是 eDNA Earth 的基础。

A synthesiser made of orchestras
An epic collection of synthesised orchestral sounds, eDNA Earth has been created using our enormous range of organic orchestral recordings, manipulated, warped and reprogrammed beyond recognition by Spitfire’s award-winning team of composers, engineers and developers. With thousands of sounds and presets, we have taken our entire orchestral palette and morphed it into an alternate universe.

A powerful encyclopaedia of unique, experimental electronic samples, eDNA Earth has been created with film, TV and games music in mind, offering endless inspiration to the next generation of media composers, while also appealing to dance and pop producers wanting to add cutting-edge, cinematic electronic textures to their music. With eDNA’s new easy to use, ultra-controllable GUI, an uncharted territory of new sonic experimentation is within your grasp.

An encyclopaedia of cinematic synth sounds
eDNA Earth is a collection of 1900+ basic instruments, mangled into over 1000 custom presets by the Spitfire team, over a period of six months. The eDNA Engine, housed in an attractive, intuitive GUI, is designed for a wide range of genres and cinematic settings, allowing you to create and expand your own cinematic universe. Select by type of sound — Atmos, Drones and Scapes, Keys, Bass, Drums and Percussion, FX, Leads, Pads and Strings, Sequences and Plucks or Synthetic Orchestra — and play, play, play. Such is the depth of content here, that if you were to play each sound for 30 seconds, it would take you 15 hours to listen to every instrument and patch.

The organic source material has been taken from our most renowned libraries, including Albion One and Spitfire Symphony Orchestra, recorded at the world’s best recording studios including Air, Lyndhurst Hall. These textures are easy to layer and mix with acoustic recordings and live orchestras, allowing you to realise epic, devastating fusions of electronic and acoustic sounds and add an experimental dimension to your composition. From gritty urban drama, sci-fi, epic action and game music, to contemporary EDM and dance, the sheer amount of sounds and presets make it extremely versatile, enabling you to create entirely unique soundscapes. For those new to synth programming we have over 1000+ spring-out-of-the-box presets, and for those who love to spend hours tweaking sounds, you have the ability to mangle, affect and create your own presets. This is not about the music of now or yesterday – this is a whole new soundscape, adding an extra dimension to your compositions – from lush, expansive ethereal pads to jarring, dystopian, atonal sound effects. If you are looking for timeless cinematic textures that go far beyond orchestral domains, this vast array of ultra-controllable sounds will keep your other-worldly desires sated for many years to come.

The history
We have spent the last ten years building the finest collection of strings, brass, woodwinds and percussion libraries. But throughout this period, we have also been harbouring a deeper ambition. As award-winning composers, Spitfire Audio founders Paul Thomson and Christian Henson struggled with mixing synthesised sounds in with orchestral, organic instruments they used when writing music to picture. When working on the Stephenson’s range from Spitfire’s popular Albion range, they found that if sounds are warped from organic sources, they sat in with organic material more effectively, even if the warped sound no longer resembled its original source material. Following on from the success of the Albion range, Spitfire set about creating this new world of sound.

As many of us here at Spitfire come from the first wave of 90s dance music and experimental cinematic composition, we were aching to mess with our orchestral sample recordings and turn them into something new. For years we kept a depository of the best of them, on a secret hard drive, a set of polished diamonds, ready to be manipulated and skewed to create the ultimate in electronic raw materials.

Since the dawn of Spitfire, we have experimented with orchestral warping. We set about finding the most rarefied analogue outboard equipment, synths, filters, gates and verbs and commissioned and created a set of bespoke digital signal paths. At regular points over the years, we took our secret hard drive out of its cupboard, pulled the sounds up and fed them through these multi-stage signal paths. We often left them simmering overnight, creating the most deliciously dark, wrong-sounding set of synthetic sounds. During the warp stage, we created well over a terabyte of data. Our team then set about selecting and honing the very best of the best to create a collection of multi-sampled sound sets — the foundations of eDNA Earth.

The eDNA engine
Imagine the eDNA engine as a set of two turntables and a highly sophisticated DJ mixer. It contains two sound bays, with individual and independent modulators, control of trim, bend, glide, cloning, tuning, ADSR, LPFs, HPFs and wobbles that modulate pitch, volume and filters. The onboard gate sequencer allows independent gating between these two bays and unified control of amount, shape, speed and length of sequence. These two signals are then at last unified with a DJ style x-fader. Move between the sounds with the mouse or the factory-default assigned modulation wheel.

But it doesn’t stop there. We’ve designed a custom script that oscillates the x-fader automatically with control over speed and phase. Last but not least is eDNA’s five-stage FX path with 34 custom plugins (including a bunch of bespoke IRs) pre-loaded. There are two “layer fx” stages that effect sound A or B. A “motorised” FX stage that can either effect A, B or both, and a master FX stage that affects the entire output. Finally, an auxiliary FX stage that can be sent via the layers or master FX stage. Any parameter of these can be assigned for automation or assignment to your controller.

The Earth ‘cartridges’
Our award-winning team of composers, engineers and producers spent six months wrestling eDNA Earth’s 1900+ organic sounds into an awesome array of 1000+ eDNA presets — from beautifully refined dynamic MW x-fades, to turbo-charged tempo synced, gated, phased wonders. The eDNA engine is made up of seven cartridges, each curated by a different composer or engineer, each of them focusing on a distinct sonic style. We have organised the presets by type of sound, but you can also browse by cartridge, using Komplete Kontrol or Maschine.

Dark
A series of chaotic, frenzied, dystopian sounds, from searing leads to super fat basses and eerie, atmospheric pads. Suitable for the grittier end of dance music, this set of sounds will also add edge to hybrid blockbuster and trailer work.

Cinematic
Modern hybrid synths for the big screen, curated by multi-award-winning composer Christian Henson.

Retro
Mainstream zeitgeist synths and patterns by sonic wizard Stanley Gabriel, adding an extra dimension to pop and dance music.

Trance
EDM classics and next-generation dance, rhythmic synths and epic drops, taking you on a journey from quirky 8-bit and vintage game console sounds, through to ambient techno and minimal house.

Analogue
Digital vs Analogue synth battles, made using Christian Henson’s enormous, rarefied vintage synthesizer collection of Junos, Jupiters, MS20’s and Moogs, creating a whole new world of sonic opportunities.

Broken
Pseudo-organic x-fades, pads, atmos, drones & fx, curated by Harnek Mudhar, a Spitfire engineer with his finger on the zeitgeist. Broken operates in the hinterland between organic orchestral material and raw synth sounds — almost like earthly instruments, but slightly warped.

Warped
An ever-changing landscape — hold a sound down and move the modulation wheel very slowly. Every sound here is programmed to morph beyond all recognition via vibrant shimmering paths.

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